By Layla Al Maleh
Arab Voices in Diaspora bargains a wide-ranging evaluation and an insightful learn of the sphere of anglophone Arab literature produced internationally. the 1st of its sort, it chronicles the advance of this literature from its inception on the flip of the earlier century until eventually the submit Sep 11 period. The e-book sheds mild not just at the old but in addition at the cultural and aesthetic price of this literary construction, which has to date obtained little scholarly cognizance. It additionally seeks to put anglophone Arab literary works in the better nomenclature of postcolonial, rising, and ethnic literature, because it unearths that the authors are haunted through an identical 'hybrid', 'exilic', and 'diasporic' questions that experience dogged their fellow postcolonialists. problems with belonging, loyalty, and affinity are famous and handled within the a number of essays, as are many of the issues interested in cultural and relational identity. The participants to this quantity come from diverse nationwide backgrounds and percentage in interpreting the nuances of this rising literature. Authors mentioned comprise Elmaz Abinader, Diana Abu-Jaber, Leila Aboulela, Leila Ahmed, Rabih Alameddine, Edward Atiyah, Shaw Dallal, Ibrahim Fawal, Fadia Faqir, Khalil Gibran, Suheir Hammad, Loubna Haikal, Nada Awar Jarrar, Jad El Hage, Lawrence Joseph, Mohja Kahf, Jamal Mahjoub, Hisham Matar, Dunya Mikhail, Samia Serageldine, Naomi Shihab Nye, Ameen Rihani, Mona Simpson, Ahdaf Soueif, and Cecile Yazbak. members: Victoria M. Abboud, Diya M. Abdo, Samaa Abdurraqib, Marta Cariello, Carol Fadda-Conrey, Cristina Garrig?s, Lamia Hammad, Yasmeen Hanoosh, Wa?l S. Hassan, Richard E. Hishmeh, Syrine Hout, Layla Al Maleh, Brinda J. Mehta, sunrise Mirapuri, Geoffrey P. Nash, Boulus Sarru, Fadia Fayez Suyoufie
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Extra info for Arab Voices in Diaspora: Critical Perspectives on Anglophone Arab Literature (Cross Cultures)
79 Shakir, “Arab American Literature,” 6. html Anglophone Arab Literature: An Overview ] 25 tween their Arab origin and their American identity, defending themselves against demonization and prejudice, especially in the wake of the 9/11 events, asserting the virtues of their ancestors, reminiscing about old country and celebrating its landscape and social customs, affirming their humanity and contribution to American society, criticizing both American and Arab society and political systems, and lately addressing issues pertaining to sexual orientation and, of course, gender – these are some of the writers’ dominant concerns.
Political negotiation, as Salaita cleverly views it, blends thematically and aesthetically with cultural negotiation to bridge the divide between Palestinian and Palestinian-American discourse. ”126 Palestine appeared not only in the novels, poems, and plays of ArabAmericans but also in blogs, stand-ups, rap, and hip hop songs. A famous Arab rapper who called himself Iron Sheik raps about Palestine and the Palestinian diaspora, the demonization of Arabs in present-day America, the victimization of Muslims who are constantly taken for terrorists the minute a shot is heard in the distance.
Throughout the crossing, Ahmad provocatively reformulates her conception of herself as Arab, Muslim, and feminist. ”88 After years of denying and defying her heritage, even to the point of despising Arab music,89 and the Arabic language,90 and North African food, after questioning the ‘Arabness’ of Egypt by and large, Ahmad discovers kinship with Hanan El Sheikh, a Lebanese feminist novelist who writes in Arabic and who asserts her Arab identity. ”91 If the autobiographical factor remained constant in much Arab-American writing, it did not have to surface in specific life tales but certainly permeated many works.