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By Paulo Coelho

Linda ha 31 anni e, agli occhi di tutti, l. a. sua vita è perfetta: vive in Svizzera, uno dei paesi più sicuri del mondo, ha un matrimonio solido e stabile, un marito molto affettuoso, figli dolci e educati, e un lavoro da giornalista di cui non si può lamentare. Ma d'un tratto inizia a mettere in dubbio questa sua quotidianità, los angeles prevedibilità dei suoi giorni. Non riesce più a sopportare lo sforzo che le richiede fingere di essere felice. Tutto questo cambia quando incontra consistent with caso un suo innamorato degli anni dell'adolescenza: Jacob. È diventato un politico di successo e, durante un'intervista, finisce in keeping with risvegliare un sentimento che l. a. donna non provava da ormai troppo pace: los angeles passione. Ora Linda sarà disposta a tutto in line with conquistare quell'amore impossibile, e dovrà esplorare fino in fondo tutte le emozioni umane according to poter poi trovare los angeles redenzione.

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Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet … But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned … This storm is what we called progress. — Walter Benjamin, “Theses on the Philosophy of History”2 E arly in the year 1989, Duo Duo was invited to go to England to give poetry readings; this trip, his first to the West, was scheduled on June 4.

It turned out that Duo Duo spent the eve of his departure on Tiananmen Square and witnessed another turn of twentieth-century Chinese history, an event that in the future would be known as June Fourth. Upon his arrival in England, he found himself, all of a sudden, the focus of Western media attention, and his identity that of a dissident poet. Soon after, he, like so many fellow members of the so-called Misty Poetry generation, such as Bei Dao, Gu Cheng, and Yang Lian, became a poet in exile, and rose from relative obscurity to international fame.

They once existed and vanished subjectively In the permanent graveyard of time It seems that one has indeed reached the midnight of the Cultural Revolution and of history in general. No longer being able to have faith in the sun, the individual is clearly overwhelmed with an almost dizzying sense of loss and powerlessness. It should be kept in mind that Duo Duo’s main objective here is not merely to confront or expose the supposed tyranny of the sun with a moralizing tone. Instead, he takes the new historical situation of the setting sun as the background against which the task of this new subject formation and individual development is to be brought into focus.

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