By Loren Bliese
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Extra resources for A generative grammar of Afar
Their prolonged fight with the aliens is like a live action Road Runner cartoon with grotesquely exaggerated violence. Heads are split apart; brains are eaten, etc. Director Jackson also plays two of the leading roles and acts with himself in one remarkable cliff scene. It all ends with a nasty “born again” joke. BANKER, THE (1989) The title character, Spaulding Osbourne (Duncan Regehr), is a wealthy financier whose passions are primitive religions and Snow White and the Seven Dwarfs. The opening scene, strongly reminiscent of Betty Blue, is a stylish blend of eroticism and violence that sets the tone for the rest of this updating of Jack the Ripper.
Throughout the 20 HORROR SHOW GUIDE: THE ULTIMATE FRIGHTFEST OF MOVIES horror shows 1/7/13 9:25 PM Page 21 Awful Dr. Orlof, The (1962) action is either boring or silly. Blame Frank De Filitta. He wrote the novel and the script and he co-produced the film. AWAKENING, THE (1980) A laborious introduction establishes the relationship between the mummy Kara and Margaret Corbeck (Stephanie Zimbalist). Margaret’s dad Matthew (Charlton Heston) discovered Kara’s tomb at the exact moment she—Margaret—was born.
The opening scene in a nightclub/slaughterhouse is a terrifically choreographed set piece. The violence is cartoonish and the whole thing goes on about twenty minutes too long. Blade II relies on more elaborate and grotesque computer effects and less interesting fight scenes. Mutant vampires called Reapers are attacking regular vampires who enlist our hero in the fight. For me, the result is not as interesting as Hellboy, the next collaboration between director Guillermo del Toro and co-star Ron Perlman.