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By Grant Illion Butterbaugh

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We had to lay off thousands of people. It was terrible. ” Yet government and business leaders seemed oblivious to conditions on the streets. “The only real and lasting remedy for unemployment is employment,” Herbert Hoover declared blankly in the midst of the calamity. Though Hoover was jesting, the remark reflected his impotence before the present BREADLINES AND BOX OFFICE LINES / 25 emergency. ” Hoover’s paralysis was soon taken for complicity and the oncerespected name of the president became an all-purpose, derisive prefix.

In “The Hobo’s Psalm,” a widely recited 26 / BREADLINES AND BOX OFFICE LINES satire of the twenty-third Psalm, the president’s name is invoked for a double blasphemy on religion and politics: Hoover is my shepherd, I shall not want He maketh me to lie down on park benches He leadeth me beside the still factories He arouseth my doubt in the Republican Party He leadeth me in the path of Destruction For his party’s sake I fear evil, for thou art with me. With conditions under Hoover seemingly a visitation immune to human action, the biblical backdrop was a persistent frame of reference, the fire and brimstone rained down on Sodom and Gomorrah by an angry God a fit precedent for the punishing onslaught of the Great Depression.

They certainly don’t go to legitimate theaters. ” In the long run, the Great Depression was good for the motion picture industry, requiring it to streamline operations, facilitating its realignment along modern lines of business management, and helping it to crush independent producers. But in the early s few in Hollywood were taking the long view. Eyes fixed on the present, they saw only black days and red ink. When The Jazz Singer () rendered the silent cinema obsolete, Hollywood was 32 / BREADLINES AND BOX OFFICE LINES forced to retool the means of motion picture production and revamp the art of cinema, to create a whole new industry from the skeleton of the old one.

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